More Band News
As you sit poolside this summer, basking in the sunlight (with sunscreen
at the ready, or a shade), sipping pina coladas, and getting caught in
the rain ... if you're not into yoga, if you're into champagne ... you
might wish to see a specialist 'cause you're channeling Rupert Holmes.
It also means, of course, that John Malkovich has company.
If, on the other hand, you're only doing the sunlight basking bit, or
whatever aquatic, summer, hiking, nature-walk, boardwalk, theme-park, movie
recreation suits your fancy, then good for you! You're enjoying these
summer months in grand style. And well you should. It is, after all,
the last one of the millennium (right? - well, no, let's not get into
that argument now, we could go on for days).
Broadside is also quite busy and having tons of fun. Aside from all the
aforementioned madness (Dirty Linen, 10th Anniversary preparations,
etc.) here's "what we did on our summer vacation" thus far (or, for
the Fairport-inclined, "what we did on our holidays"):
-
Broadside Electric recently emerged from Mix-O-Lydian studios along
with folk mastermind Mike Agranoff and engineer Don Sternecker, having
recorded a very unique and moving song: "Gypsy Davey: One Year Later."
If you're familiar with the original tale of Gypsy Davey, this time
around it's "the rest of the story" as conceived and told in song by
Mike. Upon hearing a rough mix, we're already growing impatient - we
simply can't wait for you to hear this one. Hmph!
Listen for it on Mike's forthcoming action-packed CD, slated for
release December 2000. Visit www.mikeagranoff.com for news
and info, plus we'll keep you posted right here on this station.
-
We had a wonderful time at the Ice Cream Festival in Wilmington, DE
this past weekend. Held on the Rockwood Estate grounds, it featured
a dizzying array of vendors, arts and crafts, activities for the kids,
antique automobiles, a very large cow, lots of ice cream from the folks
at Turkey Hill, hot air balloons, lots of cannons, a full orchestra,
Trout Fishing In America <!>, and li'l ol' us. Not only did Broadside
alum Rachel Hall join us on-stage for a few tunes, but we did the CD
signing thing and even took part in a marvelous video interview. Gosh,
is this a great country or what?
-
Amy, Jim and Helene were recently spotted in the studio with the ab fab
Akire Bubar, recording new material for her forthcoming CD, entitled
"Arms of the Sun." Keep an eye on www.akire.com for details.
News flash: We hear it is already mastered and ripe for manufacturing
(ooh! ahh!).
-
Not one to rest on his laurels, Tom is hard at work devising super-new
arrangements of traditional tunes, designed specifically to amaze and
delight every last one of you! (You too. Yes, you in the corner with
the snorkeling gear and the swim trunks - though we admit that's a
rather daring choice of colors and patterns but, what the hey, it's
a free country.)
-
Amy and Helene are also hard at work ... on new tune sets! Yes, friends,
the smoke-filled room is getting smokier by the minute. A few more of
these and we're all going to need a NicoDerm fix. Initial rehearsals
confirm - they're really turning out "some good stuff, man."
-
Ashley was recently spotted !> in the title role of "Snoopy!!!" at his
collegiate alma mater in Hoboken, NJ. Sources inform us he may be
tapped for voice-over work on South Park if he keeps this up (and if
you believe that, I also hear Tom just sold some choice undeveloped
land over in Finland for a small fortune).
-
Speaking of Hoboken, Broadside recently performed an electrifying
concert with the dynamic duo Margo Hennebach and Mark Saunders (at
the very same locale, DeBaun Auditorium, on the campus of Stevens
Institute of Technology). Both groups took turns alternating sets,
with each half ending in a combined performance that blew away
everyone, clear through the back wall. It was recorded for posterity
so, you never know, it might resurface in the future.
-
I tell ya, Helene is keeping busy in so many wonderful ways, and one
way is with an exciting new contradance band called Spinning Jenny.
It features B.E. alum Rachel Hall and, judging by the name and genre,
it's got to be dizzying fun. More info RSN (real soon now).
-
Jim continues his escapades with Cap'n Mikee Ciul and that bastion
of improvisation and low-budget performance art, UNSOUND.
Visit virtually via www.eyeballsun.org (which, alas, has no
v's in it). To adapt a phrase from our good friend Mike Agranoff,
witnessing this ensemble live is definitely a "Broadside Imperative."
"You can" do it - 5 August 2000 at CEC in Philadelphia.
-
Helene is recording (again, surprised?) with the fine Philadelphia
sea-song group, The Shoenwalds! We expect further development as the
months roll by, and will keep you up-to-date.
Ashley D'Andrea
5 May 2000
Well, well. We certainly are in festival-hoppping mode now, aren't we?
Quite frankly, we couldn't be happier about it. Festivals are well
attended and well promoted, plus they often have a theme that
runs through everything, including the music (like the Philly
and Baltimore Folk Festivals). Bottom line: We get to play the
music we enjoy and reach a wider audience, many hearing us for
the very first time.
To those who have come out to see us in the past, a heartfelt thank you.
To everyone else, hey - get some fresh air - it's good for you! :-)
We encourage everyone to set aside some time and enjoy everything
these community festivals have to offer. It's time well spent.
Reaching a wider audience is also what our June 9th
appearance at DeBaun Auditorium is all about.
("Ho-BO-ken?! Oooh, I'm a-DYYYYin'!)
But seriously folks, Hoboken is quite an eclectic town, abuzz with
music, theater, art and activities of every sort. We've had our eye
(and ear) on Hoboken for a few years now searching for just the right
opportunity. Thanks to the folks at DeBaun
we have finally found it!
Now we're aiming to conquer the home of
Frank Sinatra the only way we
know how: staging a double-bill concert with
Margo Hennebach in a newly
renovated 500 seat auditorium and spreading the word to everyone within
earshot (and then some).
Are we crazy? Of course! You have to be crazy to try a stunt like this,
but then we wouldn't have it any other way. We'll be making an audio
(and, as of right now) video recording of this concert for posterity
(or who-knows-what?). So, if you ever wanted to be part of a recorded
concert event, here's your big chance! Definitely mark this one down.
In the coming weeks, we'll be launching a new section of www.broadside.org
where folks can get involved in promoting Broadside concerts in their
own home town. We'll provide all kinds of downloadable stuff: cover
letters, info sheets, posters, postcards and who knows what else,
all in one place, with super-easy step-by-step instructions.
So if you know of a place you think we should be playing in the NY/NJ/PA
area (or, yes even DE, MD, VA, MA, VT, ME - do we have to spell 'em
all out?), don't be shy! Write and tell us why you think it would
be a good pick. If we book it, you'll get the opportunity to be our
venue liaison and even introduce us on-stage (unless the venue already
has an emcee ... but that's OK, we can think of other ways to thank
you publicly for all your help!).
Ashley D'Andrea
14 April 2000
We've been very hard at work broadening our internet horizons! To that end,
we are pleased to share with you several sites where uninitiated folks
the world over may be introduced to all things Broadside. Treasures
abound: MP3s, bios, photos, discussion forums, chances to write reviews
and rate tunes and so on. (This is in addition to listings already on
the likes of Excite, Yahoo and such. We're mighty pleased.)
Of course we realize, dear reader, that you might have seen bits of this
before ... on a site called, umm ... www.broadside.org . But you
knew where to look, see (or you saw us live, or found us through an
internet search). In that case, just consider this more info for all
the Broadside completists out there. Let us know what you think, and
Bon Appetit!
Some additional thoughts (again, for the completists). Sites with the most
complete info at e-press-time are IUMA and Rolling Stone. Everyone else
is playing catch-up, having already been sent the most current info.
Stay tuned, they'll get around to it. (Others like musicsearch.com and
BandLink.Net are either swamped or revamping their submission process
so they'll have to wait a bit.)
Let's see, what else. The IUMA site has an interesting deal. We're
supposed to get something like a zillionth of a cent from IUMA for
every B.E. page visit (a piece of the banner ad action) so make every
page load count when you visit. (Watch - IUMA gets a run on Broadside
Electric MP3 downloads. I can see it now. Yes, visualize it. Now go,
go forth, yea, verily, press thy mouse buttons multiple times!)
A word about the MP3 files. The MP3s we have posted (one from each
Broadside album) were all carefully considered and approved by the
band once upon a time. They are of very high quality and are full-
length tracks to boot (128-bit, 44.1, Stereo for you MP3 die-hards).
Which tracks? Ahh, you'll have to visit the sites above to find out.
Our aim is to give folks a taste of Broadside through the years by giving
away one (and only one) sanctioned track from each album and making
them as widely available as possible. We encourage everyone to point
folks to these MP3s, often. Spread the word, why dontcha. In fact,
if you want to broadcast these files over
Napster,
SHOUTcast or
Live365 go nuts.
Just don't shut any college campus computer networks down in
the process, OK?
Ashley D'Andrea
1 March 2000
Huh? What? Are you serious? You're kidding! No, friends, we are NOT
kidding. It is, at long last, Broadside Electric's 10th Anniversary
Year! That can only mean one thing ... and when we figure out what
that one thing is you'll be the first to know. After we tell each
other, that is. You know how it works. If you know before we know
then the space-time continuum is just toast. Don't go messing with
that. You should know better. HANDS OFF. OK? Fine. Good. Quite right!
You better you bet. Sit down, you're rockin' the boat. Let it be.
And so on. Right back atcha. Alrighty then. Yup.
Ashley D'Andrea
21 November 1999
We've had a fine fall indeed, with several wonderful gigs, including an
"I-80 Tour" of back-to-back shows in Stroudsburg and State College, PA.
We finally threw our album release celebration for With Teeth,
which was held at MilkBoy Recording studio where most of the album was
recorded. We ate the food, drank the drinks, and played to a nice crowd
of friends and fans. Thanks to Mike Agranoff, Ray Ashley and
Michael Toal for their musical contributions to the evening, and to
Tommy Joyner for making the studio available and helping to organize the
event.
One more show to go before the year 2000... Mermaid Inn on December 4, be
there or be non-compliant!
Tom Rhoads
31 August 1999
Two big topics for this news report.
First, our new CD,
With
Teeth is back from the plant! It looks great, it sounds
great, and it's selling like hotcakes at our gigs. Not only that,
but it was the "Philly Local Pick of the Day" on WXPN (88.5 FM in Philadelphia)
every day for a week the week after it came out. Thanks
are due to Tommy Joyner (our producer) and everyone else at MilkBoy Recording who
helped us turn out a new album to be proud of. There will be wads
more info about With Teeth on this site soon. (For those
who may have been holding their breath since Jim's news report in
February, it can now be revealed that the album does include
saxophones.)
Second, we had a fantastic time this past weekend at the
1999 Philadelphia Folk Festival. We played four sets
(main stage and three workshops) and got to rub shoulders, sometimes
literally (as when we were crammed onto the small Tank Stage with the
eleven-piece Old World Folk Band), with great musicians of every stripe.
Being on the big stage was a great rush - probably the biggest crowd we
have ever played to. Other highlights:
-
The Ceilidh workshop where we shared the stage with the
Wrigley Sisters, Niall Vallely and So's Your Mom.
-
Rik Palieri and his amazing Polish bagpipes (made from a
deceased goat, but with a better sound).
-
Some great concert sets by the likes of Balfa Toujours,
John Prine, Great Big Sea, Dry Branch Fire Squad, and (especially)
a white-hot Saturday night set by the Eileen Ivers Band that
almost left me gasping for breath.
-
Jamming into the small hours with Jay Ansill, Michael Mullen
and Lief Sorbye from Tempest, Larry Cohen and Mike Agranoff (among
others whom I have probably forgotten).
-
Running into lots of friends and fans whom we see all too seldom!
Tom Rhoads
15 August 1999
The secret is out! As promised, we are letting you in on something special.
Well, two something specials:
-
The name of the new Broadside Electric album is "With Teeth" <!>.
It features eleven tracks as performed by the current lineup! Dig it!
-
A special one-minute montage, entitled "Teeth Marks," is available
for download in MP3 or RealAudio formats.
The montage can be obtained by pointing your web browser to one of:
MP3 and
RealAudio players
are available online. Go git 'em!
Ashley D'Andrea
29 July 1999
Now we know you're all waiting to hear about the album. "Is it finished?"
Yes, friends, it really is finished! It's "in the can" as they say in
the biz ... wait, that's motion pictures. Well you know what we mean.
We can hardly believe it ourselves, but after six months it is finally,
really, truly, madly, deeply complete. Huzzah!
"What's it called?" Ohh, I'm afraid that is still a closely guarded
secret <!!!>. But we won't let you Faithful More Band News Readers down,
oh no. We'll let you in on a li'l sneak peek when the time is right, plus
first word on celebratory proceedings and whatnot. All in good time! And
that time is rapidly approaching, much like those really fast trains
in Europe. Or is it Japan? Can't recall, might be both, whatever.
Meanwhile, the current August gig lineup is simply amazing. We're very
pleased to be playing all of these spots and, with the new CD upon us,
the timing couldn't be better. Attendees to these shows will be in for
quite a surprise. We don't actually know what the surprise is but,
when we find out, so will you! Promise.
Ashley D'Andrea
28 May 1999
Well, after long months of labor, we are approaching the completion of
our new album. The schedule was set back when we paused in April to
catch our breath and play some gigs, but now we're sprinting to the
finish. We plan to mix the album in mid-June and with any luck we'll
have those shiny discs in hand by the end of the summer. Much of the
album will be new material, most of which has never performed on
stage - although a "sneak preview," the song "Royal Oak," has been
aired at some recent shows.
The other big news is that we'll be playing the Philadelphia Folk
Festival again this year! Right now it looks like we will do a main
stage set on Friday afternoon, plus (we hope) a workshop (TBA) sometime
over the weekend. Be there and soak it up!
Tom Rhoads
15 April 1999
Work on the new Broadside Electric CD continues unabated, as we finish
up tracking through the end of May. It's amazing just how much music we have
managed (or is it dared?) to record. The really fun part is yet to
come: mixing the thing and getting the booklet ready! Just like a magazine,
really ... only a lot smaller ... and very shiny on at least one side.
In fact, you can reflect light off a CD surface extremely well. Careful,
though, 'cause you can go blind if you try that stunt in broad daylight.
PLEASE use caution. Ahh, the mighty CD. Reflects light with the greatest
of ease. Ever stop to think about that? Can your fancy-schmancy
magazine with its ad-funded high-gloss finish do THAT?! Hmph. Didn't think so.
Ashley D'Andrea
19 February 1999
Eh-oh!
We're pleased to report that we're now right smack in the middle of our
latest project, which is currently only known as the fourth Broadside
Electric CD!
Yes, that's right. This CD promises to be the biggest, loudest, longest,
(and many other superlatively phrased adjectives) of the lot. Right now
there are nothing but secrets about the form, content, and degree of
difficulty -- but we swear you'll love it!
Most of the material is brand new. "Ahh," you say, "but will there be
saxophones?" This, too, is a secret. Don't start holding your breath
until about mid-May, after which we'll hopefully be able to accomodate
you with commercial product.
If you want to be among the first to be notified please make sure
you're on our mailing list, and we'll let you know within mere moments
of receiving into our own hot little hands.
Jim Speer
7 February 1999
There is nothing new under the sun.
(Almost.)
Thanks to all who came out to support us at the Mermaid Inn this past
Saturday, February 6th. We hope you had a grand old time. We sure did!
If you missed us, that's OK, because in just one week (Valentine's Day,
February 14th) we'll be live in the WXPN studios with Gene Shay. Yow!
One week after (February 21st) we return to The Cherry Tree Music Co-Op.
Needless to say, we're really looking forward to both engagements. Check
our concert calendar for complete details, as always.
Now it's time to get very serious. Read carefully.
We announced this at the Mermaid this past Saturday, and we wanted to
run through it once again for the record. Let it be known that Broadside
Electric is committed to being a Y2K compliant musical ensemble. Now,
we can already hear you exclaiming: "You must be kidding!" Friends, we
assure you, we are not kidding. Each and every musical
instrument played by the band is 100% certified Y2K compliant ...
... well, OK, except for the crumhorn, that umbrella-shaped thing Jim
plays. Some of you have attempted to console Jim by suggesting that the
majestic crumhorn "doesn't count as a musical instrument." That's not
consolation. Hmph. That's sacrilege! How dare anyone even postulate
such nonsense. We won't stand for it. Besides, everyone knows it's the
drumkit that doesn't count <snicker>.
In fact, did you know that the crumhorn is actually Y1K
compliant?
It's true! We know because we heard it from an audience member. Besides,
the Y1K-compliant crumhorn poses no threat to livelihood or personal
safety whatsoever.
Come to think of it, neither do any of our instruments ... unless you
count violin bows which, we admit, could poke an eye out if we aren't
careful (especially Ashley, he can be klutzy) ... but THAT'S NOT THE POINT.
What we're trying to say here, if only in a roundabout way, is RELAX.
Rest assured, Broadside Electric is hard at work: on Y2K compliance,
on the new full-length album, even on overflowing the "More Band News"
section of our web site with insane drivel about crumhorns and
computer science.
Other than that, there really is nothing new under the sun.
Ashley D'Andrea
15 January 1999
The rumors are true! Broadside Electric is actually in the studio working
on their fourth (as yet untitled) album. No, they're not in there this very
minute, but for all intents and purposes they are there, no joking.
Details on the recording, the song titles and all those juicy tidbits
are being kept a closely guarded secret. Despite all this, sources close
to the band report that progress so far has been excellent. As more is
revealed in the coming weeks, we'll dutifully report it right here.
Ashley D'Andrea
17 November 1998
We've just gotten back from a wonderful weekend at the Northeast
Regional conference of the North American FolkAlliance. We performed in
the Friday night formal showcase and the late-night
"Celtic/British/Canadian" showcase and were well received. We handed
out dozens of demo CD's, attended some great workshops, and jammed well
into the small hours... all in all, it was terrific.
It's been quite a while since the last news update - we went through a
period of sort of daring each other to write one. What's been
happening? Well, we played a busy spring and fall schedule and took
most of the summer off, with only scattered gigs. We played a great
double bill in June for the Philadelphia Folksong Society with
Einstein's Little Homunculus - it
went so well we did it again in September at Club Passim
in Cambridge, MA. Both shows concluded with all 10 of us jammed onto
the stage, cranking out jigs and reels, our "As I Roved Out" and ELH's
"Disobedience." Another highlight was the Folk Project Fall Festival
in northern New Jersey - one of the ultimate folk music immersion
experiences.
We've been slowly pulling material together for a new album, which we
plan to record early next year. Some of it will be songs we have been
playing for a while, and some will be new pieces (which may stay under
wraps until the album comes out).
Tom Rhoads
15 September 1998
The Boston Trip (as opposed to the Linda Tripp):
Our trek to Boston and Waltham was a smashing success, and we made many
new friends and gladly parted with a ton of CDs and cassettes. Thanks to
all who made the trek out to offer their support! You have our sincerest
gratitude and thanks ... both of which may be construed as similar forms
of kudos, but you get the idea nonetheless.
Broadside Electric is now on the
digitalphono.com web site!
Check it out for the full scoop. In short,
you can now listen to clips of our music (and even listen to our new
demo tracks) right over the web, using technology that gives amazing
CD-quality audio in a fraction of the disk space (and we do mean FRACTION).
Players for Windows and Macintosh are available for download. Do try it and
then write us to let us know what
you think. Thanks!
Ashley D'Andrea
31 June 1998
The mega-weekend with Einstein's Little Homunculus was mega-amazing.
Or is that mecha-amazing? BE and ELH jammed on a cover of Blue Oyster
Cult's "Godzilla" at Fergie's Pub, and then -- AND THEN ... AND THEN:
We all went full tilt during the Battle of the Bands at the Philadelphia
Folksong Society's season-ending concert. Picture ten crazy people (us)
on stage, cruising through Broadside's "As I Roved Out," across a barrage
of tunes, and crossing the finish line with Einstein's "Disobedience."
In the end, it was Einstein's very own Rob Rudin who made the boldest move
of the evening. During the requisite "closing number" Rob actually donned
the PFS banner (which we understand has been with the organization for quite
some time now), employing it as a multicolor cape! BE's Ashley D'Andrea could
only describe the spectacle as "The finest George Clinton impression I've
ever seen or heard. Man, I've gotta get out my P-Funk albums again." Then
he mumbled something about 'rhythm and rhymes' and wandered off aimlessly.
Thanks to all of you who joined in the fun! We couldn't play it for you
without you.
Ashley D'Andrea
3 June 1998
I'm happy to report an astoundingly wonderful concert at the Mermaid this
past Saturday! We were joined by ex-BE vocalist Melissa Demian for a
number of songs, including several real old ones, like "Henry Martin." As
always, absolutely wonderful to have Melissa as the 6th wheel in the new
band! Those of you in England should make an effort to see her play in
Cambridge when you can. Also that night we were opened up for by the
excellent Ray Ashley, doing a mostly-solo Stick set. Yes, that's right,
"excellent." Ray, are you reading? You should just change your name to
"Excellent Ray Ashley" and be done with it. "Excellent Ray Ashley and the
Three Hour Detour" -- they'll go far. Uhh, anyway, BE also performed some
exciting new material, including the long-awaited "Wir Fahren mit der SBB,"
a Swiss train song by Walter Wild, and "Nonesuch/An Dro," a coupling of an
English country dance with a Breton tune we don't know the name of.
Jim Speer
1 April 1998
Well, it's sad to say, but the band has agreed to all go our
separate ways. Lately we've had some musical differences,
the most destructive being a feud between the wind and violin
sections, involving constant arguing over the superiority of
blown reeds vs. bowed strings. I think we'll all be glad for
the change, and for a chance to pursue our separate interests.
Ashley auditioned successfully and has been cast as the voice of
Kenny on "South Park". Tom has been developing some skill as
an Elvis impersonator and says he's "considering a move to Memphis."
Helene will have more time to devote to sword swallowing, and
Jim will be working towards his Glue Gun II proficiency
certificate. Amy has been drafted by the Chicago Bulls.
Thanks to everyone who has supported us over the years, and
we'll stay in touch.
The Management
31 January 1998
Our show at the Minstrel Coffeehouse on the 16th was a big success
by just about any measure - the place was packed, the music was
great (the second set went especially well), and we enjoyed ourselves
immensely. We've also finished mixing our new demo (for radio and
publicity purposes), which now awaits the mastering process... and
we are starting to lay plans for a new album.
Tom Rhoads
29 December 1997
Good grief, it's been a long gap there in between news flashes, eh? That's
particularly inappropriate because these have been just the months where
possibly the most news has occured. As you will see elsewhere on these
pages, we are now very happy to be a five-person outfit. We've been playing
some wonderful gigs, including the Philadelphia Folk Festival 1997, the
Cherry Tree Music Co-op, and more. We've been in the recording studio at
all hours doing god-knows-what... Someday there will be some results on
that front. Those of you who always ask me whether there's ever going to
be a fourth B.E. CD, I can tell you now that I'm almost certain that we
will sometime next year. At any rate, we have new members and, since the
summer, we have a huge boatload of new material which you can hear
at the shows now. We still do a lot of the near-old stuff, albeit in various
states of revision.
That's the short story. More timely news soon, I hope.
Jim Speer
1 December 1997
This news page was pretty much dormant in 1997 because I was too busy
with my "real life" to work on it, but to make a long story short:
-
We had some great gigs, notably at the Spring Gulch and
Philadelphia Folk Festivals and the Cherry Tree Music Co-op.
-
Amy and Ashley were asked to join Broadside at the beginning of May.
-
I took several weeks off this summer and drove around the United
States. While I was away, the rest of the band rehearsed new material
to spring on me (all unsuspecting... well, not quite) when I got
back.
-
I got back from my trip just in time to rehearse for the Philly
Folk Festival. Then we started working hard on adding my parts to
the new tunes and Amy and Ashley to the older stuff. Our first gigs as
a 5-piece were in September, at the Philadelphia Ceilidh Group's
Irish Festival and at the LionFish.
-
We attended the Northeast Regional conference of the North
American Folk Alliance in November, had a great time, played an
informal showcase which was well received, and met
Einstein's Little Homunculus.
-
We began the process of producing a new demo recording.
Tom Rhoads
1 February 1997
A good time was had by all at the Philadelphia/Mid-Atlantic Loop
Show which Jim organized.
Tom Rhoads
1 January 1997
Happy New Year! We've been semi-dormant over the last month or so,
and I've been too busy to keep the Web site "pumped up," but now there's
light at the end of the tunnel. We're finally getting new material out
of rehearsal and onto the stage--we've already premiered a revamped
"Blackleg Miner" and we hope to bring two other new pieces (surprise
covers!) to the Mermaid on Feb. 1. A new ballad, "New York Trader," is
also nearing readiness, and a few other pieces are in various states of
preparation. It is possible that some of this material will form the
nucleus of a new recording project...but it's too soon to talk about that.
Tom Rhoads
5 November 1996
Our autumn season is just about wrapped up at this point, and we've had
some real highlights - opening up for Ralph McTell at Philly's Tin Angel
was the high-water mark, in my opinion. Our double bill with Stick wizard
Greg Howard at
the LionFish was another great night. The only thing left is our trip
to Charlottesville, VA for our show at the Prism (thanks Greg!).
I'm hoping that we can start to roll out some more new material soon;
it has been a start-and-stop process over the last few months. Our
rehearsal time has been limited, and we've been playing a lot of shorter
sets, at which we tend to focus on older parts of the repertoire.
However, some good ideas are flowing now, so with luck and a little
effort we should be able to bring some new music out of the shed soon.
Tom Rhoads
3 August 1996
Our big summer rush is just about over - only one show left, and then
we're off until the end of August. We're sure glad to have Mike back on
the soundboard. We've been bringing new material to the stage, most
recently "Clyde's Water" at Cafe Procopio. The two outdoor shows in New
Jersey were especially fun and we may play those venues again in the
future. Our appearance on WHYY's "Radio Times" went well too.
Tom Rhoads
15 July 1996
Well, we tried out the new live version of "Sheath and Knife" at the
Mermaid on Saturday night. Some people seemed to like it. Others were
outraged. Come check it out and see what you think!
Tom Rhoads
9 July 1996
The debut of the newly revamped and super-heavy "Mose Salio de
Misrayim" at the LionFish came off really well, I think. We'll be
playing it regularly from now on, and it will only get better.
Mike Ciul, our soundman, is off in Paris studying computer
music. Things had become so worry-free since he's settled into the job
that we really miss his skills when he's gone. We've been mixing ourselves
from the stage to the best of our ability, but certain things are just too
difficult to contemplate right now. I'm not even going to touch the
crumhorn until Mike gets back to adjust my volume.
Speaking of wind instruments: I've been shopping around for some sort of
shawm, possibly of Turkish or North African origin. I'd like to have such
a thing to belt out reels and to take on the Klezmer tunes as well. It
would also be a natural fit for out Bulgarian and Macedonian music.
Ideally, I'd like to phase out use of the clarinet; I'm unhappy with my
playing and my instrument needs an expensive re-pad job.
Jim Speer
4 June 1996
Hello, this is Jim writing now. I'll second Tom's carefully restrained
enthusiasm about our new CD. The months of recording were a bit strenuous,
but well worth it! I got to arrange the horn sections to include my new
rauschpfiefe, a 17th c. capped double-reed instrument from Germany, similar
to the bombarde. Tom and Helene were very gracious about letting me write
just about any wind parts that I wanted, a move that often distorts the
original harmonic intent of the song a bit. I gotta tell you, one of the
most fun things that can be done is to watch Tom's expression when he hears
the wind parts for the first time... But I believe he's either quickly
warmed up to them, or he doesn't want to hurt my feelings.
Touring in New England was great fun, especially towing Melissa around with
us for a bit. Melissa may believe that she's successfully left the band,
but, in fact, she's only on loan to the real world. :)
We've got lots of exciting new material in rehearsal, poised on the edge
of performability! For those of you who have been attending just about
every show listening to us play selections from our long standing
repertoire over and over, I feel like we owe you a whole bunch of new
songs. Don't give up hope! "Magellan" and "Bruton Town" were only the
early harvests of what should be a nice crop of fresh arrangements. I'm
secretly hoping for our "Derry Gaol" to be titled "Hangman," after Led
Zeppelin's version of the Child ballad. By the way, it's also the lead
track of a fantastic new CD from Steeleye Span, called Time.
I don't know who's reading this, but if you've got this far, I appreciate
your thinking this is worthwhile! Hope to see you at the shows.
Jim Speer
1 June 1996
It's been a busy spring for us, with the two high points being the
release of our third album (and first as a trio), More Bad News,
and our tour of New England (the last two weekends of April). Around
these events, we have been playing out locally here in southeast
Pennsylvania.
More Bad News came back from DiscMakers in the first week of
March, and the response to the new album has been just terrific. Gene
Shay has been playing it regularly on WXPN and WHYY and we've had lots of
positive feedback on it.
The big trip to New England was divided into two long weekends (in
between, we came back to Philly to work and study and otherwise keep our
real lives moving). We played a string of scattered venues from the
Boston area northward, including the Portland (ME) Folk Club, the Inn at
Long Trail (Killington, VT), a living-room set at MIT, the Blacksmith
House in Cambridge, MA, the Quarter Note Coffehouse in Plymouth, NH,
the Luthiers' concert series in Waltham, MA and a short "getaway set" at
Overall Music in Lexington, MA on the last day of the trip. This was our
longest road trip ever, and it was tiring, but also very enjoyable and
rewarding. Former bandmember Melissa Demian came to several of the shows
and we dragged her up on stage to sing "Por La Tu Puerta" - with three part
harmonies! - and a few other things. Our show in Killington also included
the first (and so far only) live performance of "Sheath and Knife."
Tom Rhoads