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Tin whistles, flute, oboe, vocals.
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At the age of 13, I ran off with a wild gang of international folk
dancers. They taught me to pronounce "Sitno Severnjasko Horo" and
to count in 11/8. From then on my downslide into folk music was
rapid. I stole my mom's pennywhistle and started listening
to old Dubliners albums. My first band was a short-lived Steeleye
Span/Fairport Convention cover band, whose only gig was shut down by
the police before we started playing. By college I was singing
harmony on Dylan songs in the campus coffeehouse, and joined a
Cajun/Appalachian/Irish/bluegrass band called "Biff and the Backwater
Boys." When I moved to Philadelphia to start a math Ph.D. program,
I thought I might kick the folk habit, but I soon fell into the
old patterns. It started with contradancing and led to hanging out
in bars with Irish musicians. My real downfall came one Sunday
evening when I heard this band called "Broadside Electric" on the
radio (thanks, Gene Shay!). They played electrified Bulgarian
dance tunes and my favorite Woody Guthrie song. I was hooked
immediately. It's been a long descent into hell ever since. I'm
having a blast. -- Amy
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